Saturday 3 March 2012

एक ग़लती

हमें रिश्तों को खींच-तान कर, ठोक-बजा कर परखने की इतनी आदत सी हो गयी है के हर मोड़ पर हम उन्हें कसौटी पर रख धरते हैं. हर ढलान पर उनकी पकड़ जांचते हैं. हर चढ़ाई पर हौंसले का सबूत मांगते हैं. भूल जाते हैं के कच्चे धागों में पिरोया नाज़ुक सा हार है यह, कुत्ते का पट्टा नहीं जो घडी घडी खींच कर पड़ताल करनी पड़े.

फिर जब हमारी ऐसी ही एक ग़लती से ये माला टूट जाती है तो या तो दोस्तों की टोली मुट्ठी भर ले जाती है या हमसे भी ज़हीन कोई अपना लेता है उसे. एक छोटी सी ग़लती कर के खो बैठते हैं हम अपना कीमती जेवर. कभी वापस न पाने के लिए.

 खींचो नहीं यूँ जोर से
माला जांचन वास्ते
जहाँ-तहां पर भटकते
होंगे बिखरे मोती रास्ते

पंथी मुट्ठी में भर लें
या चुग जाए हंस कुलीन
पल भर में ही लोप भये
माणिक-मोती महीन



भूले से भी ना गिरे
ये जेवर अनमोल
कंगाल भिकारी बनकर भी
 मिले नहीं खैरात में
खींचो नहीं यूँ जोर से
माला जांचन वास्ते


बिनस गया तुझ से तेरा जो
संजो सके ना कोय
वो नाजुक, उस से भी नाजुक चाव
शब्द बाण प्रहार से
ऐसे तीखे घाव
संचा बचे फिर कुछ नहीं
ऐसे घातक अघात से

खींचो नहीं यूँ जोर से
माला जांचन वास्ते
जहाँ-तहां पर भटकते
होंगे बिखरे मोती रास्ते

Friday 17 February 2012

Reference to Context

“Hey you can be yourself, I won’t judge you” is something I hear a lot. I wonder what drives people into this perambulatory declaration. It is humanly impossible (barring a few enlightened souls) not to be prejudiced or partial.

Having an opinion is natural. Acting upon those views is what one can control.

I judge people too as they evaluate me silently. I judge them based on 5 features-

1.  Interaction with animals
How comfortable is a person around animals & birds or how comfortable are the animals around that person? To me, that says a lot about the natural vibes. I am not talking of drawing room activists who will make tall claims regarding environment, animal cruelty or carbon credits. I speak of the simplest form of communication between two living beings. The give and take. The non-verbal contact. You either have it or not.

2.  Deep Sleep
How easily or soundly a person can sleep when the body needs the sleep says a lot about the person. Inner dynamics owing to positive or negative thought processes guide the deep sleep. Of course medical conditions, travel and adverse phases in life do take their toll but I talk here about general sleep tendencies. I like people who can sleep deep and well. No wonder I loooooove cats ;)

3.  How one eats food
The pace, intensity and delight with which someone eats tells me a lot about how much people value what they already have. It is possible to polish off your favourite meal without looking at it with an ‘ah...so glad you are there on the plate’ feeling. I don’t mean the obsession or gastronomical excesses. I talk of pure joy & gratitude in one’s eyes when they see or have their meal. Many times one has to share it or leave it mid-way when duty calls but leaving it with a reassuring ‘brb’ is what makes me give people thumbs up.

4. Common Sense
To me common sense is the sum total of how you perceive everything. If you are not looking around, evaluating things and extending logic then all your empirical conclusions miss the pulse of the moment. I remember once we had a couple visiting us from Orissa. Their 10 year old daughter ‘Moon’ looked at everything from the ‘Zebra crossings’ to the big wide roads with a look of dazed amazement. We saw a wheelbarrow on the road with a lot of things on it. I looked at it and exclaimed, ‘how wonderful it would be if there was something like this to take us around too’. Moon looked at me and asked, “Why, don’t they have wheelchairs here in the hospitals?” I knew that very instant that she won’t have any problem at all, moving from her small town to bigger cities for higher studies as she is blessed with a keen perception, logic and common sense.

5. Room for more
Until one’s last breath there is always room of learning more. Since I was 12 or 13 yrs. old I have been wondering every few years ‘do I know everything about life?’....and every single time my answer has been, “Now I know all that there is to life” only to be disproved in there coming years. Every time I said to myself, “Now there isn’t much to learn about this subject”, contradictions have pranced around in mockery. So anyone who out rightly rejects or invalidates another person’s point of view without weighing it is someone I stay away from.

Morality, looks, expressions, language, adornments etc are accessories. If the above 5 are in order then these hardly matter, otherwise one uses these very accessories to substantiate one’s prejudices.

When we live our whole life as a game of ‘reference to context’, how is it possible not to be judgemental about someone, someplace or something?

Wednesday 25 January 2012

Yajnaseni & Others

Book Cover credits applicable here
Yajnaseni is the story of Draupadi who was born of the sacrificial altar, written by Sahitya Akademi Award winning Pratibha Ray in Oriya. The English translation is a bit hairsplittingly bookish but the content of the novel holds good on its own for you to be captivated by the strong characterisation and flow of Draupadi's life. I wish I could read Oriya as the translations never do justice to the original text.

It deviates from the original storyline in probably only 2 or three minor aspects wherein she is portrayed to have a soft corner for Karna and an infatuation for her sakha Krishna. The way it is woven, it seamlessly appears believable because somewhere deep down we can relate with the human depiction of her spiritual fascination with Lord Krishna, jealousy for Subhadra and Hidimba, sympathy for Karna, restrained respect for Kunti, dealing with five husbands who have difficult natures to please; anguish, helplessness and a quiet submission to fate despite having been a firebrand princess who doesn't hesitate to state the truth.

I bought this book six months back. When I started reading it, I was full of apprehensions. I had just finished a book on Oriya short stories. Most of the stories had a sad ending. So, to pick up another literary gem from Oriya literature needed courage. I found the way Draupadi explaines how the world saw her as a beauty to be a bit unabashedly outrageous. Which royal woman talks like, "people equated my thighs with the trunks of soft plantain trees" in first person? But as I read on, everything made sense. I am halfway through and can totally understand why this book is an award winner.

This is a book one must read if one is interested in the socio-political thread that runs through the whole fabric of Mahabharat. Especially gender dynamics and challanges of womanhood. Other three books which see the great epic from different individual and ethnic viewpoints are -

'The Second Turn' by M.T. Vasudevan Nair. Originally written in Malayalam as 'Randamoozam', it is the retelling of Mahabharat from the viewpoint of Bhima, the second Pandav brother.

'Triumph Over Death' by Shivaji Sawant. Originally written in Marathi as 'Mrityunjay', is based on Karna.

'Parva' by S.L. Bhyrappa in Kannada. Tanslated in over 7 languages it also won Sahitya Akademi Award for translation for K. Raghavendra Rao. The uniqueness of this book lies in the 'monologue style' where few principal characters of the epic narrate it from their points of view.


All these four derivatives are masterpieces in their own right.

(Note : This post doesn't talk about innumerable re-tellings of Mahabharata. Only the books which bring in a fresh new perspective by weaving a storyline on individual characters have been mentioned here. If you know of any such books, please do tell me about them. Would love to read.)

Tuesday 24 January 2012

Hands Up

The moment anyone says 'Hands Up', an image of someone holding a firearm at a bank robbery crosses my mind. This image of someone holding a gun to your back at point blank and asking you to raise your hands is so etched in our minds that I forget endless hours of punishment (for constantly talking while the class was on) where I had to kneel down and hold my hands up in school.

Another memory of holding our hands high were the weekly yoga lessons in school. While doing 'tadasana/urdhva hastasana', "Stretch them high enough to touch the sky", our teacher used to say. It increases blood circulation in the body by giving the vital organs free space to work more efficiently,  they preached as we stood on our toes, trying to reach the ceiling if not the sky

Then there is the Mexican wave. A totally different version of 'hands up'. Adrenalin, happiness, jubilation!

Kavita Dwibedi & team performing at DODACON 2012
Yesterday I saw another example of 'hands up'. I saw a beautiful Odissi dance recital by Kavita Dwibedi. The theme of one of the dances was 'Draupadi Vastraharana' where Draupadi is being forcefully disrobed in a court full of Kings, courtiers and relatives after she was dragged around with force by pulling her hair.

Dushassana kept unwrapping Draupadi and she helplessly sought the help of all elders, her husbands, her in-laws and all present in the court by pleading with one hand and clutching her saree with the other, no one came forward to help her.

She even falls down on the feet of her aggressors. They just laugh and continue stripping her.
She is humiliated beyond words.

Draupadi calling out to Krishna - A madhubani painting

She closes her eyes. Folds her hands and prays to Lord Krishna. After salutations to him, she throws up both her hands in despair and lets this heinous act continue without any resistance from her anymore. 

That is when Lord Krishna comes to her rescue by miraculously extending her saree into reams which Dusshasana gets tired of pulling and finally gives up.

Most of the Indians know this story but very few are aware that as per the legend, only when Draupadi throws up both her hands in surrender does she get help. Why didn't Krishna help her before? Why didn't she get help when she pleaded. Why only when she gave up?

What is it with us and raising our hands up in praise, prayer, surrender, happiness? Abandonment or submission, it does give us a sense of letting go. A sense of release. It symbolises our connect with forces outside of us for help or expression. Hence the hands up I guess.

But whenever we are scared, worried, thoughtful, ashamed etc., we want to curl up. That is for affirmation, expression for seeking of help from within. That is a whole different story about why we curl up?


Note: This Madhubani painting is courtesy dollsofindia.com 

Friday 20 January 2012

Secret Language

I wish there were a language so secret that only me and the universe understood it. So that I could put it forth without the worry of anyone interpreting it in their own way to mean what their minds want it to mean.

Dear Universe,

I just sent out a whole lot of thoughts to you. Hope you get them in their purest form.
No questions, no answers, no complaints, no gratitude. I just wanted to communicate. That's all.
Going to sleep now. Talk to me in my dreams.

From Me.

Sunday 15 January 2012

Man in an expensive coat

“Will you please pass my empty Pepsi can and sandwich pack to her”, I asked my husband so that he could give them to be put into the collection bag the air hostess held in the aisle. He was uncomfortably parked between a sleepy me in the window seat and a very sophisticated man in the aisle seat. It was 3:00pm.

He picked up my empty sandwich box and passed it over to the air-hostess. As she took the contents, a few residual drops of Pepsi fell out of the can on the man in the aisle seat.

Hubby took out his handkerchief and apologised profusely. The man didn't turn around. Hubby tried to dab it with his hanky, the man refused the help (still not making any eye contact). The air-hostess handed the man some tissues. He began cleaning the spillage (which I am sure was not more than 5 or 7 drops max). We tried to apologise once again but he didn’t turn around and never spoke to us in the whole journey. He looked extremely disgusted with us.

We felt bad for having spoilt his coat with our drops of Pepsi. But after sometime I got thinking. (In the meanwhile I checked the brand; it was a Pringles’ and most probably a merino jacket)

What was this man so uptight about? Was it a very expensive coat (around $400 - $500 I guess) that had sustained irreparable damages? Or was it the fact that it came from us who looked dishevelled and not so proper as we had been travelling for 300 kms since 4:00am? I know we were at fault but did it really merit such behaviour from a fellow passenger? We didn't expect him to turn around and smile or say, “Oh it is ok. It happens” and felt awful about the way he ignored our apologies.

What was it that made him sulk for the next two hours, harbour negativity within and make such a herculean effort to avoid eye contact with two people crammed so close to him? 

I am home now. Safely tucked in my razai. Surrounded by all things precious to me which I am sure will get damaged at some point or the other, sooner or later. I still cannot understand why was he so terribly annoyed? And why am I thinking about it so much?

Episodes like these always remind me of ‘The Eternal Lightness of Being’ by Milan Kundera. A book I never understood when I read it but over the years it has slowly shaped the way I think.

I will let that man out of my head now but I do thank him. For, he has reminded me that next time someone steps on my prized Sambalpuri saree, I must make an attempt to address the person first and the tear later.

Wednesday 28 December 2011

Life Saver Ad


We were in Nawalgarh last week. A little getaway time we got for ourselves which we grabbed.

Nawalgarh is a small town (could be called a big village) full of narrow gullies and beautiful old havelis in the state of Rajasthan. A walk in the market takes you at least 60-70 years back. We stayed in a resort. We did nothing but laze around. We loved the lawns and the sun so much that we could be found there from 10:30 am to 4:30 pm reading books, having our meals, listening to Pallaji (a folk singer), getting Mehendi on hands etc etc.

Some of the local TV channels were fun to watch. One such channel was dishing out a time-streaked print of a movie we both liked. The movie was interspersed with cable ads. Some of them were of very poor quality. Some were just photographs strewn together by a decent narrator. No dhinchak graphics. No especially recorded background music. No deep baritone voice-over. No taam-jhaam generally one would associate with an ad.

One such ad of 'Jangid Hospital' made me smile. Maybe it had something to do with the name or the way they droned about the facilities and doctors available, dispensary and other machines in a hurried monotone. I saw it and was reminded of the other tastefully made Hospital ad that I had mentioned in my earlier post. What a stark difference.

I didn't think much of it and started ordering my dinner. Hubby wasn't hungry. The Aloo Tikkis and Bhelpuri of the evening were still sitting packed in his stomach. He asked for a Digene. I said I will get it from the front office after ordering my dinner. He insisted I get it right away. He generally isn't that way so I walked upto the reception area.

When I came back, I saw the door ajar. He was on the bed. He asked me to get the front office staff to get him a Disprin and a Sorbitrate. Till then I wasn't worried but now I was. I asked him what happened. He complained of chest pain.

We were in the middle of nowhere. All the doctors in Rajasthan in government hospitals were on a strike. There was no way any chemist shop would be open at 10:30 pm in this sleepy town. I cursed myself for two things - one not being able to drive our car and two for not having Digene, Disprin and Sorbitrate in our first aid box. If there ever was a Worst Informed Doctor's Wife Award, I would be the honourable claimant I am sure. We didn't know where to go.

Suddenly Partha remembered the 'Jangid Hospital' ad which had mentioned clearly the exact location, the doctors available, that there was an ECG machine there and a small dispensary. One of the Hotel reception boys was with us who guided us to the location. We reached there at 11:00 pm (can never forgive myself for the fact that Partha had to drive in those gullies in that condition in the dead of the night). By the time we reached, his pain had eased and it was clear that it was a case of gastric trouble but he didn't want to take any chances. We got an ECG done and bought the medicines we wanted from the dispensary.

We had both learnt important lessons in life.

Now in the comfort our house when I look back, I shudder to think what could have happened and if it wasn't for that obscure little ad on cable TV, we would be running around looking for a hospital around midnight. Now this is what a hospital ad should be able to do - save patients by giving them exact information they need - not just make one feel good ad as a brand building exercise which does nothing for the patients.

Their ad was a life saver